Ade joined In-Docs since 2021 as Finance Officer. Graduated from Business Administration major, Ade has more than 7 years of experience working in finance in various nonp-rofit organisations, and has been involved in several projects with national and international donors.
Ade’s interest goes beyond mundane administrative tasks. She is eager to explore about social and cultural issues through documentary films, and hopes to contribute in strengthening film communities across Asia through her experience working at In-Docs.
Obe joined In-Docs in 2018. Starting his post as Programme Officer, he was mainly involved in Docs By The Sea and School of Seeing to manage the participants and coordinated all technical stuff. In the beginning of 2021, he was appointed as Programme Manager, in charge of managing Good Pitch and workshops for Indonesian filmmakers.
Graduated in Engineering Physics, Obe finds joy in curating, programming, and managing various film festivals, as well as getting involved in film communities. His passion in film grew when he joined the college cineclub, Liga Film Mahasiswa, in his campus, Bandung Institute of Technology (ITB), where he has been involved in various film festivals.
As Office Specialist, Dwi manages In-Docs’ operational tasks and day-to-day activities. Prior to her current appointment, she supported In-Docs administrative team during the period of 2013-2015. She loved the energy brought by the In-Docs’ participants and meeting new people, so she rejoined the organisation in 2019.
Dwi has a solid 8-year experience in operational cash services with Citibank before spending six years as a Financial Manager for Salto Films, a production house that produced blockbuster films like Garuda di Dadaku and award-winning arthouse cinemas like Pasir Berbisik and The Photograph. She has a Bachelor’s degree in Economics from Universitas Bhayangkara.
Dwitri spent six years in academia thinking she was going to pursue a career as a behavioural economist to research on poverty reduction, but she realised her calling is in the arts.
She ended up working in film festivals in Amsterdam in 2018-2019 (CinemAsia Film Festival, World Cinema Amsterdam), managed an arts center in Jakarta (Salihara), and directed a communication consulting business for non-profit organisations (Communication for Change).
Through In-Docs, she dreams about a world where documentary films are useful to shape the narrative about important issues.
Gugi’s professional interest centres in art projects with societal impacts.
Over the years, Gugi has been actively involved in social, arts, and culture management in various different countries. He graduated with Master’s degree in Global Studies from Albert-Ludwigs-University of Freiburg, Germany, Facultad Latinoamericana de Ciencias Sociales FLACSO Buenos Aires, Argentina, and University of Chulalongkorn, Thailand. He splits his residence between Berlin and Jakarta.
Tata completed her bachelor’s degree in International Relations in 2020. Since 2018, she has been working with the government, media, and NGOs, addressing sociocultural issues.
In 2021, she joined In-Docs with hopes to support and connect documentary films with grassroots communities and social entrepreneurs, aiming to create impacts and drive changes in society. Currently, Tata is working on VITAMIN, VOILA, and School of Seeing. She is also an active volunteer as a programme support specialist at BastraID, an education and literacy organisation.
Joining In-Docs as the Communication Officer in 2022, Klara is looking to enhance the presence of documentary films in the daily talks on social issues. In her arsenal are experiences of cross-sector reporting, academic training as a journalist, and a penchant for visual storytelling. The film scene first found her in her college years. Now through In-Docs, she is rekindling her long-lost affair with it.
After years of working with the NGO, the private sector, and the government since 2016, Klara found passion in retelling niche stories towards a wider audience. Quenching the thirst to capture stories from various walks of life, she is pursuing a Master in Anthropology on the side.
Mia has performed various roles in In-Docs for more than 7 years. She started as a Programme Assistant organising In-Docs’ early workshops for high school students. Among those participants now have become prominent directors and producers in Indonesia. She was also in charge of In-Docs’ film library and database as well as Kickstart! Documentary workshop in Padang and Kupang.
Mia graduated from University of Indonesia with a Bachelor’s degree in communications. Mia loves the teamwork in In-Docs, which still remains strong despite many changes that have occurred in the organisation. She also enjoys the opportunity to grow and learn many new things along the way.
Tika joined In-Docs in 2021 as a Programme Officer, and now working on advancing the program of Docs By The Sea. She hopes that her combined experience in digital media production and community organising can help champion more underrepresented voices through documentaries.
Tika’s experience in visual media includes co-producing short documentary Ante Mortem (2015) as well as co-writing FFI-nominated animated shorts Mudik (2017), Tanah (2020), and Rendang of Death (2020). Off-work, Tika volunteers her time as a community organiser for Perkumpulan Lintas Feminis Jakarta.
Yuda joined In-Docs in 2021 as Programme Manager of VITAMIN. He seeks to reimagine how documentary films are shared and enjoyed in the classrooms across Indonesia.
Yuda’s skills in filmmaking are juxtaposed on the intersection of artistic, journalism, and commercial films. After studying fine arts in Bandung Institute of Technology (ITB), Yuda embarked on a curatorial project translating Indonesian literature into a visual form, and later delved into a marketing venture. His interest in documentary films grew as he joined VICE Indonesia as a video producer. His past experiences also include producing videos and documentaries for various channels within Southeast Asia.
Zakiah (Kiki) co-founded a short film organisation Minikino, which propelled her experience in film exhibition, production, and film archiving. Before rejoining In-Docs in 2018, she laid the foundations of a film preservation facility Indonesian Film Center in 2014. She then co-supervised the restoration of Tjoet Nja’ Dhien (1988) in 2017.
Kiki volunteers her time for Setiap Hari 1965, a collective keeping the stories around 1965 Indonesia a living and ongoing memorial.